Loory often ends with an invisible higher power, who seems to approve the goings-on with laughter or, in the case of the balloon, “a faint, expected pop.” What’s eerie about a balloon breaking? Nothing, if you don’t think a child is attached to it as it rises above the Stories world.
These stories are stupendously good and offer many distinct pleasures: a strange yet superbly realised world, compelling characters and, above all, beautiful prose that has the power to move. One of those characters mentions of her lover’s failings that ‘he could not realize how all women are, in one way or another, “her kind” [i.e. a witch], even his dear departed mother.’ And that could be a coda for the book.
That said and frankly acknowledged as a personal response, Hoffman has style and ingenuity that goes far towards compensating for the ubiquity of ghostly stuff. This book is part of the body of work from a distinguished author who deserves all the rewards of excellence. You will not go wrong to read it.
We all of us choose what we do with our lives from a finite set of alternatives; and for Theo, in his darkest moments at any rate, love is not on the menu: ‘If I could love I would have loved by now.’ Happy Baby is about a person for whom love, as a possibility, has been taken away. It isn’t any kind of answer, it cannot be.
These are bitter stories. All of the men, women, and children of the stories are imprisoned by circumstances. Redemption for the reader is in Cummins’s pitiless depiction of his doomed characters. Truth is what matters and he makes truth transcendent.
Overall, the stories paint very clear pictures, sometimes reading more like prose poetry, sometimes like anecdotes, sometimes with surprising turns, sometimes just resonating in lush language.
Almost more important than the major transitions in these lives are the impact of day to day living – the dust that fills the pores; the washing of clothing; the purchasing of art. What makes this work distinctive is the intensity of the narrative gaze. We learn about the characters through an almost anthropomorphic rendering of the natural world they observe.
Good short fiction works a quite a different dimension to novels – it needs a fast denouement, and the language has to be sharper, cleaner, more exacting because of the limited space. All of this stories in this collection are complete – leaving the reader with some kind of denoument. Drewe has chosen well, and the book contains a good range of material, from the modern to the traditional, funny, serious, intense, lighthearted – funky or political.
Although “The Domestic Cantata” is the most complex and extraordinary of the stories in this collection, all of the stories are set off by Malouf’s clear love of life that underpins the work. The plots move easily and the characters all develop forward, but it is the collective meaning created by the glimpse at something that goes beyond the prose that builds these stories that makes them so remarkable. This is a not to be missed collection of stories that are as important as they are pleasurable.
Most of the stories, and particularly the three winners, have all of those qualities: are tightly structured with a conflict that pulls the reader in and drives the narrative forward, leading carefully and conclusively towards the ending. Interestingly, a large…