Tag: thriller

A review of Try Not to Breathe by Holly Seddon

It worked for Gone Girl. Not to the same degree, it works for Try Not To Breathe. That’s what Seddon brings to fruition more than anything. It’s the same way her stretching into sci-fi with her short story “Graduate Schemes,” published in the dystopian anthology Broken Worlds, leans closer to squabbling than the high stakes of a truly broken world.

A review of What You See by Hank Phillipi Ryan

While Ryan hasn’t convinced me that there is no suspense in love, no love in suspense, she’s shown she’s less a muckraker than her credentials makes her out to be in her stories focused on political scandal, police corruption, and institutions which create the circumstances for felonious activities.

A review of You Are Dead by Peter James

I don’t read thrillers regularly, but You Are Dead caught and kept my attention throughout. James kept a tight rein on the plot, and there was no obvious suspect. He added a twist to Logan and Jamie’s engagement that I didn’t expect, although I would have liked more details on that relationship.

A review of Unbecoming by Rebecca Scherm

Rebecca Scherm’s Unbecoming is a heist tale, a bildungsroman, a love story, and above all, a compelling psychological study of a likeable young woman with strong anti-social tendencies. As the novel progresses, Grace, the protagonist, not only behaves in “unbecoming” ways, but “unbecomes” the promising girl she once was. She grows in independence, strength and daring, but it is impossible to approve of her.

A Review of Like Family by Paolo Giordano

For those who study fiction, form, or genre, Like Family should be required reading. It begins as a tribute but morphs into a eulogy for love itself, a stark realization that passionate and all-consuming love is far beyond the narrator, maybe beyond modernity. The story invites such an epic statement, but it also keeps us in check.

A review of Invisible Streets by Toby Ball

Invisible Streets I very much enjoyed Toby Ball’s novel, the way his snappy prose propelled the story forward, making everything both more convoluted and clearer at once. He conjured up a vital, bustling sense of place.

A review of The Hydra by Graham Stull

Stull creates a character memorable and believable enough to draw the reader in as the complex web surrounding Matterosi’s backstory, narrated as a confessional tape, mingles with the unfolding events through the trial. The plot is super fast paced, with enough cliffhangers, a touch of romance, and plenty of excellent and very well informed science (think Atwood in Oryx and Crake) to keep the pages turning faster than you can say “overpopulation.”

A review of White Lady by Jessica Bell

Though a strong plot is what drives the book forward, it is characterisation that makes White Lady an engaging read. Mia is particularly well drawn, and the most pervasive voice through the book – her bravado and insecurity as she tries to deal with her mother’s betrayal providing a psychological anchor to the more chaotic story of drug deals and blood lust.